Composition/Sound Design — Scott Anthony

Selected music from a few of the productions Scott Anthony has worked on as composer and sound designer, covering a wide range of musical genres and palettes.

Scene transitions from Theatre [502]'s production of Jordan Harrison's "Futura", a dystopia in which the printed word has been outlawed. Music written and performed in part on various implements of typography.

Scene transitions from Theatre [502]'s production of Annie Baker's "The Aliens", a Beckett-meets-Bukowski play about the family you choose and what happens when nobody is talking. And what doesn't happen. And Zen. And Math. Music for baritone electric guitar, acoustic guitar, percussion and various sundries composed, performed and recorded by Scott Anthony.

Scene transitions from Theatre [502]'s production of Laura Schellhardt's "Auctioning the Ainsley's", a family drama about people and the objects that own them. Music for piano and classical guitar composed, performed and recorded by Scott Anthony.

Scene transitions from Theatre [502]'s production of Eliza Clark's "Edgewise", an apocalyptic thriller seen through the eyes of teenaged fast-food workers. Schubert-inspired film music filtered through hiphop composed, performed and recorded by Scott Anthony.

Sound design for the 2013 Humana Festival of New American Plays world premiere production of "Sleep Rock Thy Brain", featuring one act plays on the subject of the science of sleep from Rinne Groff, Anne Washburn and Lucas Hnath.

Music for three aerial ballets in the 2013 Humana Festival of New American Plays world premiere production of "Sleep Rock Thy Brain", featuring one act plays on the subject of the science of sleep from Rinne Groff, Anne Washburn and Lucas Hnath. The production was a collaboration of Actors Theatre of Louisville and ZFX Flying Effects. Each play and two interstitial pieces incorporated flying actors.